Storyboard, 2025-2026
Pororo Storyboard Credits
2025-2026Musical numbers and songs, 2D and 3D, commissioned via TOAST STUDIO
Between 2025 and 2026 Subin Yu (유수빈) drew the storyboards for several released Pororo (뽀로로) musical and song videos through TOAST STUDIO, including Loopy's Rainbow Noodle Restaurant, the seven Summer Songs and the Halloween Musical.
Rough and final
Cut 5 of the noodle-restaurant musical. The first-pass thumbnail and the delivered page.
Noodle restaurant, one beat, cuts 19 to 30
Clean cut thumbnails from the first pass. A customer tastes the noodles while Loopy and the grandmother watch from the kitchen.
Panel 15
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01 C19. The bowl arrives. -
02 C19. Two more lean in. F.I. -
03 C20. Wide on the restaurant. -
04 C21. Insert: the noodles. -
05 C22. First taste. -
06 C23. From the kitchen. -
07 C23. Waiting for the verdict. -
08 C24. Through the doors. -
09 C25. Reaction. -
10 C25. Grins. -
11 C26. Pulling noodles, action numbered 1-3. -
12 C27. Insert: the dough. -
13 C28. Top-down swirl. -
14 C29. Three-shot, with revision marks. -
15 C30. Into the number.
Six delivered pages
Full A4 board pages from three releases. Zoom in to read the cut notes.
Panel 6
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01 Halloween p.08. Halloween Musical, page 8. The hall, and the eyes as the only colour. -
02 Halloween p.12. Halloween Musical, page 12. A backlit doorway, carried by the lighting. -
03 Summer 01 p.01. Summer Songs, 'I Love Playing with Water', page 1. -
04 Summer 05 p.01. Summer Songs, 'The Wheels on the Bus Go to the Sea', page 1. -
05 Summer 03 p.09. Summer Songs, 'Poby's Rainbow Juice Truck', page 9. -
06 Noodle p.30. Noodle Restaurant, page 30. The finale.
These are production boards. The scripts arrive with the cut counts, camera angles and lyrics already decided, and the job is to turn them into pages the animation team can work from. Each page carries the cut number, a 16:9 picture, dialogue and lyrics, a note column and timing, all on the studio's template.
What I add is staging that still reads inside the template. The haunted hall is built on one-point perspective with the chandelier as the only value accent. In the close-up with the glowing eyes, the yellow is the only saturated colour on the sheet. In the musical number, six characters have to stay readable in a single line.
The excerpt pairs a rough cut thumbnail with its finished page, then runs one clean fifteen-cut beat from the noodle restaurant as separate panels. Six full pages from three releases follow. The Korean on the pages is the production notes, and the captions give the gist in English.